I specialize in finishing editorial and motion design — the final stretch where a project either comes together or falls apart. Over 21 years I've cut promos, long-form content, and broadcast campaigns for clients including HBO, Warner Bros., Discovery, and INSP Network. Day to day that means creating streaming promos, editing for both streaming platforms and FAST channels, and handling all the finishing work that gets a project to air — audio prep, mix review, color correction, spec compliance, and delivering masters that meet broadcast and streaming standards. I care about pacing, sound, and the details most people never consciously notice but always feel.

Music is inseparable from the way I work. Session and touring credits across Mercury, American Recordings, Island, Warner Brothers, and London Records gave me an ear that shapes every cut I make — and scoring films and series has only deepened that. When picture and sound are treated as one thing rather than two, the edit lands differently. That's the sensibility I bring to finishing work, and it's what I look for in the projects I take on.